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Posts tagged ‘tutorials’

Uncharted Territory

A Tutorial on Chart Reading

 

A number of the patterns I have released recently include knitting charts. Charts are a useful tool for knitters because they can compress a lot of written information into a small “picture” of the written text. Over the next few newsletters, I will be presenting the basics of chart reading. Hopefully, these will help you better utilize this wonderful knitting tool.

The first thing to understand is that knitting charts start at the bottom and work toward the top. This is completely backward to the way that you normally read, but is perfectly logical if you think about the order that you knit the stitches on your project. You build from the bottom of your knitting (cast on edge) to the top (bind off edge).

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The long awaited…Because I Felt Like it – A tutorial (Part 4)

Seems like ages ago when I posted the rest of the felting tutorials. This one was a bit delayed because the photos came out fuzzy and had to be retaken so please ignore the multiple backgrounds. And now for the long awaited conclusion to the continuing drama of As the Wool Shrinks.

Lesson 4 – Felting isn’t the last step. Or Blocking is Important. Really, really important.

One of the first things you will notice when you finish felting your knitted piece is that it sometimes looks very little like the desired finished product. That is because most felted items also require blocking to look the way they should.

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Because I Felt Like It – A tutorial (Part 3)

Thank you for joining me for today’s adventure in the continuing drama of As the Wool Felts.

Lesson 3 – Felting time is unpredictable.

My third lesson learned is that it is difficult to predict exact felting time. Some yarns felt relatively quickly but others take a bit of effort. Here are the times that it took to thoroughly felt my samples.

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Because I Felt Like It – A Tutorial (Part 2)

Welcome back to continuing saga about lessons learned while deliberately shrinking wool.

Lesson 2 – Yarn doesn’t felt evenly.

My second lesson learned from my felting adventure is that yarn doesn’t felt evenly. You probably noticed from the results of the first part of our felting adventure that yarn generally felts more lengthwise than widthwise but again the amount of difference varies from brand to brand. For example, the blue sample had a marked decrease in length (29%) but an almost negligible decrease in width(6 %) while the yellow sample had a more even shrinkage with 36% loss in length and 28% loss in width.

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Because I Felt Like It – A Tutorial (Part 1)


I have been fascinated by felting since I first started to knit. I love the bit of surprise that results when you put your knitting in water. The results can be surprising sometimes. To help you sort out some of the mysticism and magic that is felting, here are a few things I have learned in my experiments with shrinking wool.

Lesson 1 – All wool doesn’t felt the same.

Different fibers, different brands and even different colors of the same brand will felt at different rates. Annoying, confusing, logic-defying but sadly true. To be certain of results, it is advisable to, and yes, I know you are going to hate me for saying this, knit and felt a swatch. This is recommended for every yarn that you work with and wouldn’t hurt for each individual color since dyes used can affect the felting rate.

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Afterthoughts – A tutorial

In the course of getting Aragorn Gloves pattern test knit, a number of questions arose about the thumb I used for the glove. Elizabeth Zimmermann dubbed this method the “afterthought” method. She used it for sock heels as well as thumbs. The general idea is to knit the stitches needed for the heel or thumb onto waste yarn, then continue knitting your project and come back to the thumb or heel after you have finished the project. This method is super-fast, convenient for travel and doesn’t involve transferring stitches onto stitch holders then back onto needles like gusset methods do. Though perhaps not as elegant as the gusseted thumb, I find the speed and ease of knitting more than makes up any difference in overall look. Without further ado, here is my little photo tutorial of the afterthought thumb as used in Aragorn gloves. For reference, I am knitting the left glove.

Work until you get to the point in the pattern where you will add your thumb. Drop the working yarn. Picking up a piece of scrap yarn, knit the stitches for the thumb with the scrap yarn. I just held one tail of the waste yarn with my left thumb as I knit the first my stitches.

Once you have knit the desired number of stitches (in the case of Aragorn it will be 6 stitches), transfer the stitches back to the left hand needle by slipping them purlwise one at a time.

Picking up the working yarn again, rework the stitches that you knit onto scrap yarn. You will have worked the same six stitches twice.

When you have completed reworking the stitches your glove should look something like this.

Continue working in pattern for the rest of the glove. When you have completed it, you will have something that looks like this.

Arm yourself with a set of double pointed needles and prepare to knit the thumb. You will begin by carefully removing that piece of scrap yarn to reveal the live stitches.

As each live stitch is revealed, you will pick it up onto one of two needles. This is a bit difficult to see because of the dark yarn but the process will make complete sense as you try it yourself.

When you have completely removed the scrap yarn, you should have one less stitch on the top needle than on the bottom. In the case of Aragorn gloves, you will have 6 stitches on the bottom needle and 5 stitches on the top needle.

Next, pick up your yarn and knit across the stitches on the bottom needle. Please forgive the quality of the photography. Princess Buttercup is still learning.

Using a new needle, pick up and knit two or three stitches from the gap between the top and bottom needle to fill the space.

Knit half the stitches from the top needle onto this needle. Now picking up another needle, knit the remainder of the stitches from the top needle and pick up and knit 2 or 3 stitches from the gap between the top and bottom needle. I generally pick up three stitches on the palm side of the hand and two on the top side.

Once you have picked up all your stitches, you should be back to the first stitch on the bottom needle in a position to reclose the round. Knit or work the next round in pattern. I find that if I work the stitches that I picked up through the back loop, there is less chance of a visible hole at this point. After knitting one round to reclose the round you should have something that looks like this.

There you have it. The Afterthought Thumb. EZ as pie or was that pi.

Happy Knitting.

Twisted (a tutorial)

This is a short tutorial on how to do the twisted stitches used in my soon-to-be-released Aragorn scarf pattern. Several of the testers have asked for help on how to do these stitches without a cable needle. My method is not the way you will normally see it executed, nor is it the only way to do cabling without a needle but this method was easiest for me to wrap my thick skull around.

T2R (Right twist stitch)
Here is the standard definition of the stitch

Slip first stitch onto cable needle, hold to back. Knit the next stitch through back loop then purl the stitch on cable needle.

Now here is how to work that stitch without the cable needle.

Slip both of the stitches involved in the twist purlwise onto the right needle.
(I know that most tutorials do not do it this way. This is just the method that works best for me. Feel free to use whatever method works for you)


Place the tip of the left needle into the back of the first of the two slipped stitches.


Place your thumb under the two slipped stitches, lightly pinching the stitches to prevent any runaways.


Now for the scary part. While pinching the base of your stitches between your thumb and forefinger, remove the right needle from these two stitches.
Don’t panic, keep breathing. No need for hyperventilating. Your thumb will keep the free stitch from escaping


Quickly catch the live stitch with the tip of the right needle.


Slip this stitch back onto the left needle. Now your stitches are rearranged and you are ready to knit.


Knit the first stitch through the back loop. And purl the second stitch.

You have now completed the T2R without the aid of a cable needle.

Are you ready to try the left twist?

T2L (Left Twist)
Here are the standard instructions for the stitch.

Slip stitch onto cable needle, hold to front. Purl next stitch then knit stitch on cable needle through back loop.

Now here is how I do it without the aid of the cable needle
(Same caveat as before: I know that most tutorials do not do it this way. This is just the method that works best for me. Feel free to use whatever method works for you)


Slip both of the stitches involved in the twist purlwise onto the right needle.


Place the tip of the left needle into the front of the first of the two slipped stitches.


Place your thumb under the two slipped stitches to prevent any runaways.

Now for the scary part. While pinching the base of your stitches between your thumb and forefinger, remove the right needle from these two stitches.
Don’t panic, keep breathing. No need for hyperventilating. Your thumb will keep the free stitch from escaping


Quickly catch the live stitch with the tip of the right needle.


Slip this stitch back onto the left needle. Now your stitches are rearranged and you are ready to knit.


Purl the first stitch. And knit the second stitch through the back loop.

You have now completed the T2L without the aid of a cable needle.

A couple of tips that will help you out. You might want to place your finger on the second stitch of the pair when you work the first stitch. This helps keep the second stitch from slipping off your needle while working the first stitch.

You can actually work the first stitch of the combination without ever removing the right needle after repositioning of the stitches if you have your yarn on the proper side of your work.

One final photo, if you happen to need to rip back, here is the proper orientation for those twisted stitches to be on the needle.

Notice that the stitch is crossed at he base instead of being open as a normal knit stitch would be.

The Mystery and Miracle of Blocking

Lace, especially the effect of blocking on it, has always been a source of fascination for me. I am amazed that such puckered and puffed knitting can be turned into a wonderful piece of lace by wetting and stretching. I thought you might be interested in the journey of a lace shawl from the needles to wearable art.

In my last post I mentioned Lotus Blossom shawl that I started over a year ago.
Here is what it looked like on the needles

Not much to see, I admit. But I had faith in the power of the block so I persevered.

It was cast off on Sunday. Here is what it looked like right off the needles.

Nice color but rather puffy and puckered, don’t you think?

Now to submit it to a little torture. First, I toss it into a bit of soapy water. I used tepid water and a little bit of Eucalan for my soak.

While it is soaking, I collect the torture devices and set up the torture chamber.

Here are the necessary supplies

A cheap cardboard cutting board, some stainless steel welding wires, pins and towels.

First I spread the cutting board on top of my patio table.

Can you tell I have had this cutting board for a while?

Next, I covered the cutting board with thick towels – to protect the cardboard not the shawl.

Notice that I lined up the towels with one of the grid lines from the cutting board to give myself a straight line reference.

Now that the blocking table is set up, it is time to take the shawl out of the soak.

And gently squeeze out the excess water.

Notice that the yarn bled a little. Most of the darkly colored wools that I have used will bleed a small amount on the first wash.

Then roll the shawl in a towel to remove some of the excess water.

Don’t try to wring it too much because you want the shawl nicely damp for the blocking.

Here is where the fun starts. For the top edge of the shawl, I inserted two welding rods to get a nice straight edge.

To insert the wire, I wove it in and out of the stitching along the first row on knitting.

It is a tedious process but using the wire makes a much straighter edge than pinning.

I used two wires because one was too short.

They are crossed in the center back. Notice that the stitches are flatter and the design is starting to show already.

Time to start the stretching. Working from the center outward, I stretched the top edge of the shawl and pinned it along my straight edge.

Again working from the center down, I gently stretch and pin the shawl.

The process of stretching and pinning continues – always working from the central line outward toward the edges.

Once the center is pinned, you continue the stretch and pin process for each of the points of the shawl.

Notice how visible the design is becoming as the shawl is stretched.

The process is not a fast one. And it will require the occasional readjustment of a pin once the lace is fully stretched but do you see that miracle happening?

Shawl pinned, I realize that I need to make a couple of adjustments to the pinning.

Here is the shawl fully pinned.

Quite a difference from the way it looked right off the needles, huh?

Here is a close up of the center back motif.

Amazing the difference a little stretching makes.

Now allow it to dry for a couple of hours, remove the pins and wires and your beautiful lace is ready to be properly photographed.

Lighter weight yarns – this one was light fingering – dry pretty quickly. But do make sure it is completely dry before removing the pins. It might be tempted to pucker if you remove them too soon.

Gratuitous lace photo.

More gratuitous lace. Bear with me. This took over a year to get it off the needles.

The pattern by Dorothy Siemens and available from Fiddlesticks Knitting. It was a fun knit and I am very pleased with the results. The pattern is fully charted. The charts are big and easy to read. No need for the highlighter tape on this one.

This pattern was my first that was charted to the center stitch only. This required you to read the chart one way for the first half of the row and then read it in reverse for the second half of the row. This took a little getting used to – especially at the center back when you reverse the order of the stitches. But once I got the hang of it, the charts were really easy to follow. I found writing the row numbers on the left edge of the chart really handy.

The yarn was Schaefer Anne, a light fingering weight wool-mohair blend. It took under 560 yards to knit the shawl. I love the vibrant colors in this yarn and am very glad that this gorgeous skein became a shawl instead of socks that were originally planned.

I Dyed that Day

And you can dye too, for all I care.*

In Sunday’s post, we got our yarn ready for dyeing. Today we play with dye. We will be using two colors as the finished product will be a striped, felted purse. We are using Kool-Aid Lemon-Lime and Berry Blue as our dyes. So here is the process for dyeing yarn in your kitchen with the help of a preteen.

Step 1

The yarn must be thoroughly wetted so it will absorb the color.

To do this, soak the yarn in lukewarm water to which you have added a couple of drops of Dawn dish washing detergent (use the plain blue Dawn not the fancy shmancy kinds)

Step 2

While the yarn is soaking, it is time to mix your dye.

You will need one package of Kool-Aid per ounce of yarn. We used one extra package for good saturation. Each hank was approximately 4 ounces so we started with 5 packages of Kool-Aid. Mix the Kool-Aid with enough water to dissolve it but the ratio of water to dye is not critical.

Mix thoroughly.

You want the dye to completely dissolve in the water. Otherwise, you might have dark or oddly colored spots on your yarn.

Step 3

Pour the dye over the yarn.

Remove yarn from soaking water and place it in a microwave safe bowl. Pour the dye evenly over the yarn until the yarn is just covered by liquid. If you don’t have enough liquid in your dye solution, add a little water to bring up the volume.

Push down slightly on yarn to make sure that it is completely covered with dye solution and that there are no air pockets in the middle of the hank.

Step 4

Heat set the dye.

Heat on full power for two minutes. Allow yarn to cool for two minutes. Repeat the heating and cooling cycle until all the dye is absorbed and the water is clear.

Remove yarn from microwave and allow to cool. Don’t rush this step.

When yarn is cool, wash with mild detergent or no-rinse wool wash using water that is the same temperature as yarn. Rinse using water that is the same temperature. DO NOT temperature shock the wool unless you want felt at this point. I cannot over emphasize this point. It doesn’t take a lot of temperature variation to cause felting. Trust me on this. Ironically, if you actually want the wool to felt it doesn’t happen this easily.

Step 5

Drain the yarn and gently squeeze out the excess water. Hang yarn and it allow to air dry. There will be water dripping from the yarn as it dries so hang it outdoors, out of direct sunlight, or somewhere that the dripping water won’t hurt, like over the bathtub.

Step 6

Admire and enjoy your beautiful yarn.

Tabitha’s Tips

Or Lessons Learned the Hard Way

  • Wear gloves. Or use a spoon.

    Hands and nails absorb dye really, really, really, really well – possibly as well as yarn.
  • It is easier to get the dye off your hands than your nails.

    And blue-green nails have a rather unique other-worldy, Bride of Frankenstein sort of appearance.
  • Pay attention to the dye absorption rates. If it seems that all the dye is gone from the water after the first heat cycle, you probably need more dye. We found that the green required more dye than the blue to get good saturation. We ended up using 2 packages of dye per ounce of yarn for the green.
  • If you have to add additional dye, make sure that the liquid is the same temperature as your yarn. Don’t temperature shock your yarn.
  • Have fun.

We know the secrets of the Fire Swamp. So whenever you feel like dyeing, come visit.*


*The Princess Bride references. Can you tell we have watched it a few too many times lately? Just be glad the topic of this post wasn’t Mawwiage or Twoo Wuv.

Other Posts in this series.
…Prepare to Dye


…Prepare to Dye

DragonPurls, along with some of her internet friends, is embarking on a dyeing, knitting, and felting adventure. She wants to knit a present for a friend of hers and we decided it might be fun to dye the yarn too. For the next several days/weeks I will be documenting our adventure together.

It started with the purchase of a huge skein of Fisherman’s wool from a Hobby Lobby sale. For the sake of safety, we are using food dyes for our wool. After extensive research, she settled on the colors Lemon-Lime and Berry Blue. Kool-aid and yarn purchased, the next task is dividing the skein and winding into a nice hank for dyeing.
Here is the beginning of the process.

Here we are a little further along, when we had to pause to remove a tangle.

Since I don’t have a yardage meter (a deficiency I intend to correct next time Hubs wants to go to Bass Pro Shop), I had to come up with another way to divide the 465 yard skein onto two relatively even hanks. I think DragonPurls and I came up with a clever way to handle the problem.

First, I measured the distance around the pegs on the swift that my dear, sweet husband made for me. By my calculation, the distance around was about 2 yards. By calculation, we realized that 115 rounds of the swift should be approximately half of the skein. With the help of a handy dandy row counter, we wound 115 rounds of yarn onto the swift. At this point the yarn was broken and the hank secured in a number of places to prevent tangling. We then wound the other half of the skein. Our guesstimation calculations worked pretty well because the skeins were pretty close to the same weight (based on observation since I also do not have a yarn scale).

So now we have two lovely cream colored hanks of yarn all ready for an afternoon of dyeing.